Ordo per se
An essentially ordered causal series differs from a historical sequence of parents and children
A father causes a son, and the son may later act after the father has died. This is an accidentally ordered series: earlier members give rise to later agents that possess their own causal powers. Such a sequence could be indefinitely long without making the son's present action impossible. The five ways do not simply argue that every past event must have an earlier event until one reaches a first date.
An essentially ordered series is different. The pen writes only because the hand moves it; the hand acts through living powers; an instrument has causal efficacy here and now only insofar as it is employed by a principal cause. Remove the principal causal source and the subordinate instruments do nothing in that order. Their power is derivative, not merely inherited at an earlier time.
The distinction is also metaphysical, not confined to mechanical contact. A lamp illuminates because electrical, chemical and structural powers are actual; those powers depend upon the actual being and natures of the components; created natures do not contain the sufficient reason for their own act of being. The deeper the analysis moves, the more it concerns simultaneous dependence rather than temporal succession.
An infinite regress of purely instrumental causes does not explain actual causation. Adding endlessly many paintbrushes without a painter does not paint; adding mirrors without a source of light does not illuminate. The point is not that the human imagination cannot traverse infinity. It is that derivative causal power remains derivative at every level. A first cause in an essentially ordered series is first by explanatory and ontological priority, even if the temporal history of the universe were beginningless.
Reader path: Second Way dossier · Summa Contra Gentiles I, ch. 13
